As a rule, I make a point to listen to any album in full before buying. In this case, I wasn't able to make it all the way through without pulling the trigger. Ikarus is every bit on point as on previous albums, if not more so.
A curious thing happens to a band as its sound matures. As the voices of its players continue to fuse ever more seamlessly, their individual styles also come into focus with increasing clarity. In its most literal reading, this is the key idea behind MOSAISMIC, the title of the third full-length record from Swiss contemporary / groove / jazz quintet IKARUS. The word itself was created from the combination of the words: “mosaic” and “seismic”. Mosaic, of course, implies a series of independent elements, which form a pattern or a picture. Seismic, on the other hand, denotes the energy expressed in the form of vibration, which is released by the movement, collision or friction of landmasses.
When every musicians ideas are expressed clearly, and the ear zooms away from the individual pieces, something bigger and more beautiful emerges. At times our opinions clash like tectonic plates and this produces something of a productive earthquake. The energy released then is also registered on the recordings, which definitely reverberates in the listener. – Ramón Oliveras
MOSAISMIC is a record of beautiful contrasts. It’s minimal and austere formally, yet rhapsodic in affect. It invokes organic forms and then juxtaposes them with percussive renditions of angular spaces as elicited by a modern, urban, architectural sprawl. It’s quiet and spacious, at times eruptive and dense. From a compositional point of view the songs here have a tendency towards straightforward, linear melodies – written against each other. As they evolve, they perpetually produce new harmonic and rhythmic relationships. The effect is an ever-shifting sound mosaic, a sonic mobile of sorts.
I wrote this material during my yearlong stay in Berlin. I listened to a lot of electronic music at this time and I also had the opportunity to experience it in gorgeous industrial spaces such as the Kraftwerk or Berghain. You can hear allusions to these experiences on Meridian or the new version of Sub Zero. I gave the music a finishing touch in São Paulo. The playful Brazilian architecture of Oscar Niemeyer and Lina Bo Bardi, and the constant exposure to all these local grooves definitely had an influence on some pieces, as you can hear on Mondrian, Oumuamua or the new version of Ligulin. – Ramón Oliveras
MOSAISMIC was recorded at the Fattoria Musica studio located in Osnabrück, Germany, in three very long days, and was co-produced by Nik Bärtsch. The band arrived at the studio right after a series of concerts, hence the presence and the chemistry captured on the recordings. Those who like to soak up their music on headphones might also discover some quirky details buried in the mix: the crackling of a fireplace, the rattling of a chain placed on the strings of the piano, the use of e-bow etc.
With Ikarus, the studio recordings are more of an image of the current state of the project. If you see us playing live in a year from now, the same pieces will sound very different from what’s on the record. The idea of an ongoing evolution and the material being in constant flux became even more important for me in recent years. Sometimes I even wish that this record wouldn’t have so many new songs on it. (laughs) – Ramón Oliveras
IKARUS is a contemporary / groove / jazz quintet consisting of Ramón Oliveras (composition, drums), Anna Hirsch (vocals), Andreas Lareida (vocals), Lucca Fries (piano) and Mo Meyer (upright bass). Their singular sound is based on continuously permutating polyrhythms, fluctuating grooves, organic improvisations and an enchanting blend of male and female vocals. The compositions continue to evolve thanks to the nature of their live shows, and tend to reappear in new versions on their full-length records. They cite influences as far-ranging as Morton Feldman, Meshuggah, The Knife, Craig Taborn, Steve Reich and traditional west African rhythms. To date, IKARUS released a total of three LPs (counting MOSAISMIC) on Nik Bärtsch’s boutique label Ronin Rhythm Records and also toured Europe and Japan extensively.
released April 5, 2019
Ramón Oliveras - Comp & Drums
Anna Hirsch - Vocals
Andreas Lareida - Vocals
Lucca Fries - Piano
Mo Meyer - Bass
All songs written by Ramón Oliveras (except Ikenophobia written by Ramón Oliveras & Andrina Bollinger)
Produced by Ramón Oliveras & Nik Bärtsch
Recorded, Mixed and Mastered by Martin Ruch (Control Room Berlin)
Recorded Nov 2018 at Fattoria Musica Osnabrück
Published by Ronin Rhythm Productions & Neonstars Publishing
Photography & Grafik by Olivier Baumann
Artwork by Lukasz Polowczyk
Thanks to: Olivier Baumann, Nik Bärtsch, Lukasz Polowczyk, Martin Ruch, Felix Profos, Antonio Ruperez, Benno Glüsenkamp, our families and all our supporters
Produced and released with the support of Popkredit, Kanton Zürich and C. u. A Kupper-Stiftung
Ronin Rhythm Records is a label for artists and their creative music between new minimal, funk und ritual groove music.
Founded in 2006 by Nik Bärtsch, it supports community oriented independent music production without restrictions. Ronin Rhythm Records supports as a platform new and advanced artists in their long term development....more
Avec un Bran Coucou aussi dense et coloré que l’est sa magnifique pochette, PinioL vous entraîne dans sa jungle Noise Rock pour mieux vous surprendre et vous dérouter sans jamais vous perdre. Pour les curieux de la feuille et les amateurs de musique non formatée. ahasverus-cornelius
As much an item for the Tangerine Dream nostalgist as TaboTago's Kymatica, but this time Bernard (who is part of TaboTago) intentionally aims on TD's Zeit, their monolithic 1972 album.
To keep the form, Elsewhere also consists of 4 long pieces. This music has much more to do with atmosphere than melody or rhythm. Very "kosmisch", very "Berliner Schule"! Carsten Pieper